Новое решение

Valter правка от 21 авг. 2026 г., 19:38

правка #20206 позже →

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		+	### Statement
		+
		+	$3.9.19.$ [Insert the problem statement]
		+
		+	### Solution
		+
		+	### Statement
		+
		+	$3.9.19.$ Why is the hollow body of a violin and cello made figured? How does the tone of the sound depend on its dimensions?
		+
		+	### Solution
		+
		+	<b>1. Figured shape of the body:</b>
		+	If the body had a simple, geometrically symmetrical shape (e.g., a parallelepiped, cylinder, or sphere), it would produce a small number of highly pronounced natural frequencies (standing waves). This would cause the instrument to act as a narrow-band filter: it would loudly resonate only on specific notes, while others would sound muffled.
		+	The complex (figured) shape with non-parallel soundboards and curves breaks spatial symmetry. This creates a vast number of closely spaced resonant frequencies (vibration modes). As a result, the body acts as a broadband resonator that responds evenly to sounds of almost any frequency, making the tone of the instrument smooth and rich in overtones.
		+
		+	<b>2. Dependence of tone on dimensions:</b>
		+	The body of the instrument acts as a volume acoustic resonator (Helmholtz resonator) and simultaneously as a system of vibrating plates. To form an effective standing wave, the linear dimension of the resonator $L$ must be comparable to the acoustic wavelength $\lambda$.
		+	Since the frequency $\nu$ and wavelength are related by $\nu = \frac{v}{\lambda}$ (where $v$ is the speed of sound), increasing the dimensions of the body allows it to support longer standing waves, which correspond to a lower frequency. Therefore, the larger the instrument and its internal volume, the more efficiently it radiates low-frequency acoustic waves, resulting in a lower (deeper) fundamental tone (compare a violin, a cello, and a double bass).
		+
		+	#### Answer
		+
		+	[Insert a concise answer or boxed result]

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			### Statement

			$3.9.19.$ [Insert the problem statement]

			### Solution

			### Statement

			$3.9.19.$ Why is the hollow body of a violin and cello made figured? How does the tone of the sound depend on its dimensions?

			### Solution

			<b>1. Figured shape of the body:</b>
			If the body had a simple, geometrically symmetrical shape (e.g., a parallelepiped, cylinder, or sphere), it would produce a small number of highly pronounced natural frequencies (standing waves). This would cause the instrument to act as a narrow-band filter: it would loudly resonate only on specific notes, while others would sound muffled.
			The complex (figured) shape with non-parallel soundboards and curves breaks spatial symmetry. This creates a vast number of closely spaced resonant frequencies (vibration modes). As a result, the body acts as a broadband resonator that responds evenly to sounds of almost any frequency, making the tone of the instrument smooth and rich in overtones.

			<b>2. Dependence of tone on dimensions:</b>
			The body of the instrument acts as a volume acoustic resonator (Helmholtz resonator) and simultaneously as a system of vibrating plates. To form an effective standing wave, the linear dimension of the resonator $L$ must be comparable to the acoustic wavelength $\lambda$.
			Since the frequency $\nu$ and wavelength are related by $\nu = \frac{v}{\lambda}$ (where $v$ is the speed of sound), increasing the dimensions of the body allows it to support longer standing waves, which correspond to a lower frequency. Therefore, the larger the instrument and its internal volume, the more efficiently it radiates low-frequency acoustic waves, resulting in a lower (deeper) fundamental tone (compare a violin, a cello, and a double bass).

			#### Answer

			[Insert a concise answer or boxed result]